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egta – 22, Rue des Comédiens – 1000 Brussels – Belgium – T: +32 2 290 31 31 – F : +32 2 290 31 39 –

www.egta.com

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Dear members, we hope that 2015 is off to a good start and wish you prosperity, health and success for the new year, both on a

personal and professional level!

T

he first egtabite of the year focuses on how advertisers can strengthen their relationship

w

ith broadcasters and viewers through

branded entertainment,

also known as content

m

arketing. According to

SevenOne Media,

the sales house of the Germa

n ProSiebenSat.1 G

roup, branded entertainment can be a strong asset in increasing television sales and

conversion rates.

The concept

The concept of branded entertainment implies that a brand is directly integrated into a programme by merging the content with a

product or service in an informative or amusing way. Over the past five years, SevenOne Media has broadcast over 120 branded

entertainment campaigns of which 82% generated increasingly higher conversion rates than their standard television campaigns. In

Germany, branded entertainment is classified as an infomercial, since it typically lasts between five to six minutes. These pieces of

content are considered to be programming and not included within ad breaks, and as they are therefore not counted as part of the

12 minutes-per-hour advertising limit, their use offers broadcasters an additional opportunity to monetise their airtime. The

advertiser benefits as well, since branded entertainment fully involves the brand’s identity and is considered both interesting and

entertaining for the viewer. In addition, the advertiser has exclusivity within this time slot.

Case studies of branded entertainment

An excellent example of branded entertainment i

s Fiat Urban Stories.

The auto make

r

approached SevenOne Media with the desire to create a campaign that appealed t

o

both male and female viewers. With this in mind, SevenOne Media created tw

o

separate series consisting of sixteen original episodes with attractive content targete

d

to the viewers of the male-oriented channel

ProSieben MAXX

and the female

-

oriented channel

sixx.

Episodes featured a well-known TV-host and real life stories o

f

artists, designers and musicians. The episodes were cross-promoted on othe

r

television channels and on a website that was specially created for the campaign b

y

Fiat, which encouraged people to compete in a sweepstake to win “money can’t buy

prizes.

I

n another campaign for L’Oreal’s Diesel brand, which was seeking to promote two different

f

ragrances to men and women, SevenOne Media took a similar approach, showing different

s

pots and creating its own real testimonials with celebrities and special ads on the two biggest

c

ommercial channels, ProSieben and Sat.1. Just as with the Fiat campaign, these were

a

ssociated with a competition. Results show that the Diesel campaign generated 20 million TV

c

ontacts, 2600 participants in the sweepstake and a 65% increase in sales compared to a

t

raditional TV advertising campaign.

A

s a content producer with six television channels, SevenOne Media acknowledges that the

u

nique structure of ProSiebenSat.1 gives it the opportunity to establish a cooperation between

16 January 2015

SevenOne Media - Implementing branded entertainment with success

Target: TV